music

• Martini • ‘1997 - is an entry to the world of childhood; it is a maze of rooms overfilled with music from various parts of the world.

It is an open door to distant

cultures, folklore, bringing back the memory from journeys to Europe and leading to the image of remote places of both Americas.

• Martini • ‘1997 - is an entry to the world of childhood; it is a maze of rooms overfilled with music from various parts of the world.

It is an open door to distant

cultures, folklore, bringing back the memory from journeys to Europe and leading to the image of remote places of both Americas.

• Inside • 1990 - has been created

in the Polish Tatra Mountains. It's full of natural sounds of the nature: the wind, water and natural voices of animals like the sheep, dogs, etc. It's a relaxation CD. The phenomena on a world-wide scale is using for the first time mouth harmonica as a trigger to convert audio sound in MIDI system , to play on a synthesizer Roland D50. The music from the CD has been released by Erdenklang on

"Looking East - Poland" compilation.

• Inside • 1990 - has been created

in the Polish Tatra Mountains. It's full of natural sounds of the nature: the wind, water and natural voices of animals like the sheep, dogs, etc. It's a relaxation CD. The phenomena on a world-wide scale is using for the first time mouth harmonica as a trigger to convert audio sound in MIDI system , to play on a synthesizer Roland D50. The music from the CD has been released by Erdenklang on

"Looking East - Poland" compilation.

• Titilo • ‘1995 - Titilo in Indian "Quechua" language means the little way, way of my imagination. All songs are about the world of imagination and dreams which have not come true yet. It's dedicated to all my friends - animals. The phenomena on a world-wide scale is using for the first time mouth harmonica as a trigger to convert audio sound in MIDI system , to play on a synthesizer Roland D50.

The • Earth ‘2000 • is a homage paid to the

Mother Earth and an expression of environmental commitment by the artist. With a concern for our Planet and problems related to global warming AINU has established Art4Planet Foundation. The "Earth 2000" also reflects the diversity of cultures in all

over the world.

The • Earth ‘2000 • is a homage paid to the

Mother Earth and an expression of environmental commitment by the artist. With a concern for our Planet and problems related to global warming AINU has established Art4Planet Foundation. The "Earth 2000" also reflects the diversity of cultures in all

over the world.

• Welele • ‘1998 - reflects the exotic atmosphere & voices of Africa and sounds from Native American Indians. AINU also has mixed some instruments from Asia and his own shaman voices & vocals in a very original wild style.

• Ainu • ‘2002 - very unique on the world-wide scale compilation of Multimedia CD & DVD & PC & Apple Mac computers and players. It contains 7 art videoclips + 2 AINU concerts live clips and 9 compositions . Instruments like : Metal Ainu pan flutes, native american flute's zamponaz, ocarina, special "Goc flute's", quena, quenacho, acoustic guitar-Ovation, harp: Goc-harp style, Indian Blackfoot's drums, natural wood instruments, AINU & native people voices from the world library , all mixed on this CD.

• RaRoTonga • ‘2010 was inspired by the culture

& beauty of Rarotonga - the South Pacific paradise.

It has been recorded in New Zealand with musicians from the Cook Islands & Samoa in a special 3D Audio Sound Quality. All ethnic vocals by RaRoTongan and Samoan Singers. Wild voices by AINU ; Instruments : Wooden Pacific instruments, clay flute, shell bells, drums, rain sticks, porotiti, flutes and guitars ,

synths & electronic - played & composed by AINU ;

All natural effects: ocean, jungle birds, wind,

recorded by AINU and Agnes in NZ

• RaRoTonga • ‘2010 was inspired by the culture

& beauty of Rarotonga - the South Pacific paradise.

It has been recorded in New Zealand with musicians from the Cook Islands & Samoa in a special 3D Audio Sound Quality. All ethnic vocals by RaRoTongan and Samoan Singers. Wild voices by AINU ; Instruments : Wooden Pacific instruments, clay flute, shell bells, drums, rain sticks, porotiti, flutes and guitars ,

synths & electronic - played & composed by AINU ;

All natural effects: ocean, jungle birds, wind,

recorded by AINU and Agnes in NZ

• Ainu • ‘2002 - very unique on the world-wide scale compilation of Multimedia CD & DVD & PC & Apple Mac computers and players. It contains 7 art videoclips + 2 AINU concerts live clips and 9 compositions . Instruments like : Metal Ainu pan flutes, native american flute's zamponaz, ocarina, special "Goc flute's", quena, quenacho, acoustic guitar-Ovation, harp: Goc-harp style, Indian Blackfoot's drums, natural wood instruments, AINU & native people voices from the world library , all mixed on this CD.

The • Earth ‘2000 • is a homage paid to the

Mother Earth and an expression of environmental commitment by the artist. With a concern for our Planet and problems related to global warming AINU has established Art4Planet Foundation. The "Earth 2000" also reflects the diversity of cultures in all

over the world.

• Welele • ‘1998 - reflects the exotic atmosphere & voices of Africa and sounds from Native American Indians. AINU also has mixed some instruments from Asia and his own shaman voices & vocals in a very original wild style.

• Martini • ‘1997 - is an entry to the world of childhood; it is a maze of rooms overfilled with music from various parts of the world.

It is an open door to distant

cultures, folklore, bringing back the memory from journeys to Europe and leading to the image of remote places of both Americas.

• Titilo • ‘1995 - Titilo in Indian "Quechua" language means the little way, way of my imagination. All songs are about the world of imagination and dreams which have not come true yet. It's dedicated to all my friends - animals. The phenomena on a world-wide scale is using for the first time mouth harmonica as a trigger to convert audio sound in MIDI system , to play on a synthesizer Roland D50.

• Inside • 1990 - has been created

in the Polish Tatra Mountains. It's full of natural sounds of the nature: the wind, water and natural voices of animals like the sheep, dogs, etc. It's a relaxation CD. The phenomena on a world-wide scale is using for the first time mouth harmonica as a trigger to convert audio sound in MIDI system , to play on a synthesizer Roland D50. The music from the CD has been released by Erdenklang on

"Looking East - Poland" compilation.

• 7 Days in Georgia • ‘2011 - a short trip through the natural beauty and cultural tapestry of Sakartvelo. Music reflects the spirit and emotional nature of its inhabitants, deeply touched with a stigma of wars. It has been recorded with Georgian musicians and vocalists, with use of old, folk musical instruments.During the first days I was getting to know the culture and amazingly friendly & hospitable people, spending hours on traditional Supra and the art of endless toasts over glasses of wine & chacha.

As I had only 7 days left, all recordings has been done live without any trials before, just from the bottom of Georgians' hearts and souls. You can feel it ...

• 7 Days in Georgia • ‘2011 - a short trip through the natural beauty and cultural tapestry of Sakartvelo. Music reflects the spirit and emotional nature of its inhabitants, deeply touched with a stigma of wars. It has been recorded with Georgian musicians and vocalists, with use of old, folk musical instruments.During the first days I was getting to know the culture and amazingly friendly & hospitable people, spending hours on traditional Supra and the art of endless toasts over glasses of wine & chacha.

As I had only 7 days left, all recordings has been done live without any trials before, just from the bottom of Georgians' hearts and souls. You can feel it ...

• 7 Days in Georgia • ‘2011 - a short trip through the natural beauty and cultural tapestry of Sakartvelo. Music reflects the spirit and emotional nature of its inhabitants, deeply touched with a stigma of wars. It has been recorded with Georgian musicians and vocalists, with use of old, folk musical instruments.During the first days I was getting to know the culture and amazingly friendly & hospitable people, spending hours on traditional Supra and the art of endless toasts over glasses of wine & chacha.

As I had only 7 days left, all recordings has been done live without any trials before, just from the bottom of Georgians' hearts and souls. You can feel it ...